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Sol Ensemble’s manifesto in
commemoration of
Mozart 250th Anniversary
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Pride is the strong feeling of genius and he
never tends to ignore his pride although agony
wrings his perception, genius, and existence.
Mozart is the best commiserator for the hearts
in love; while the tricksters have been
fabricating new schemes and the sycophants
making new epithets in order to coat their
live's futility in a new hue. He looks at time
passage worriedly and contemplates his lot in
the test of history. Life not only shows him no
mercy but also scowls at him. His vital veins
end up in God and he imbibes from the skies and
receives inspiration only from his God. Mozart
is lonely and stands up alone against the world
rife with ignorance. His free and empyrean soul
like a dove strains in the predator's claws in
the maelstrom of ugly and indecent events. He
experiences suffering in different forms and
knows distraughtness which is the fear of the
heart-rending ambiguities and anxieties of
loneliness. From 250 years ago to the eternity
he sings a ditty which is the firm music of
life, eternity and hilarity.
Although numerous agonies make his life bitter
his originality and infinite freedom of his soul
never ever can make him hesitate creating and
tolerating incongruities and anarchies. He has a
mission and thinks like prophets. But those
instructors who cannot understand music
acknowledge his inherent values too late. Today
we witness that Mozart, the creator of the most
pulchritudinous ditties of the whole eras, is a
genius whose introspective and never-retreating
soul exudes music. Works which by his
persistence in meditation and revelation turn
into an incarnated unique content. His movement
toward perfection leads him to the skies and
Mozart continues going toward perfection even in
his death.
His resplendent life star didn't have much time
to shine. 36 years was an intensive and short
time bestowed by fate and he had to make the
best of it. Therefore, he remains Mozart and in
his creations while he addresses sophisticated
and well-trained minds he never forgets ordinary
people who have a little talent of cogitation.
Today, we love Mozart because in his artistic
hands music beats and in his sublime
enlightenment of his art we find the lost parts
of the humanity spiritualism and true
personality and we take a new breath in his
music rhythm as Rumi said:
"We are all Adam's progenies
We learned in Eden all these ditties."
We
are infatuated by him because we find him more
fascinating in any new listening because eternal
blossoming is his empyrean gift. His perfect
dexterity, his sagacious and innocent
infatuation, his scintillating perfect music
words and his divine genius perplex us and
command respect and mark that Mozart is unique.
His comet life invites us to perpetual bliss and
felicity of music because he has sung his
ditties from the divine spring of empyrean
inspiration. We love Mozart because
understanding him needs endeavor and the agony
of seeking and we ascend beyond the firmament
with him because his primordial ditties are the
purest whispers of life.
When he shows love to nature: when he groans
from Life's agonies; when he sings of God; in
concertos, in symphonies, in eternal requiem, in
all musical inspirations he incarnates a visage
of the salvaged. Man instantly loves meaning and
salvation. Just once hearing his music assures
befriending him for a life time. He remains our
friend and through all the lamentable moments of
life exhibits his loving visage through
appealing tones. We hear his mellifluous,
childlike and heroic laughter and we are
consternated that he endured penury exuberantly
and this is the moment we feel embarrassed
before this Prometheus and forget surrender. We
envy his indomitable faith formidable, well –
aware and void of any superstition and we find
out that his life's biggest joy is creation;
therefore, he lives in order to ensue his
favorite pleasing feelings beside his works.
Thus, he remains victorious and says: "music is
the mellifluous expression of life".
He
becomes irritable because of extreme sensitivity
and he sings and again smiles and by his
puissance of faith conquers the zeniths of his
being. But on the sublime of spirituality while
holding the eternal requiem is extinguished and
embraces death like a beloved. Mozart lives
death and with its beckoning flutters toward it.
Because he knows he parts from the earthly
suffering and becomes empyrean. His voice is
rampant in the air surrounding us; in the
inhales and exhales of music he has reached
quiescence for 250 years and listens from the
zenith of the sky to the infinite tones of his
music. Let's be baptized in his ocean of music.
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